- Title Pages
- List of figures, tables and boxes
- Notes on contributors
- Series editors’ foreword
- Introduction: Bringing communities and culture together
OneThe creative economy, the creative class and cultural intermediation
TwoMapping cultural intermediaries
ThreeTowards cultural ecologies: why urban cultural policy must embrace multiple cultural agendas
FourState-sponsored amateurism: cultural intermediation, participation and non‑professional production
Five‘An area lacking cultural activity’: researching cultural lives in urban space
SixIntervention: Some cities
SevenGoverning the creative city: the practice, value and effectiveness of cultural intermediation
EightParticipatory budgeting for culture: handing power to communities?
NineIntervention: Balsall Heath legends
TenScreening films for social change: origins, aims and evolution of the Bristol Radical Film Festival
ElevenEngineering cohesion: a reflection on academic practice in a community‑based setting
TwelveIntervention: Force deep
ThirteenStrategies for overcoming research obstacles: developing the ‘Ordsall method’ as a process for ethnographically informed impact in communities
FourteenIntervention: street art, faith and cultural engagement
FifteenFrom the inside: reflections on cultural intermediation
- Conclusion: Where next for cultural intermediation?
- Cultural Intermediaries Connecting Communities
Keri Facer, George McKay
- Policy Press
Policy Press Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.