- Title Pages
- List of figures, tables and boxes
- Notes on contributors
- Series editors’ foreword
- Introduction: Bringing communities and culture together
OneThe creative economy, the creative class and cultural intermediation
TwoMapping cultural intermediaries
ThreeTowards cultural ecologies: why urban cultural policy must embrace multiple cultural agendas
FourState-sponsored amateurism: cultural intermediation, participation and non‑professional production
Five‘An area lacking cultural activity’: researching cultural lives in urban space
SixIntervention: Some cities
SevenGoverning the creative city: the practice, value and effectiveness of cultural intermediation
EightParticipatory budgeting for culture: handing power to communities?
NineIntervention: Balsall Heath legends
TenScreening films for social change: origins, aims and evolution of the Bristol Radical Film Festival
ElevenEngineering cohesion: a reflection on academic practice in a community‑based setting
TwelveIntervention: Force deep
ThirteenStrategies for overcoming research obstacles: developing the ‘Ordsall method’ as a process for ethnographically informed impact in communities
FourteenIntervention: street art, faith and cultural engagement
FifteenFrom the inside: reflections on cultural intermediation
- Conclusion: Where next for cultural intermediation?
- Cultural Intermediaries Connecting Communities
- Phil Jones, Beth Perry, Paul Long
- Policy Press
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