- Title Pages
- List of figures, tables and boxes
- Notes on contributors
- Acknowledgements
- Series editors’ foreword
- Introduction: Bringing communities and culture together
-
One The creative economy, the creative class and cultural intermediation -
Two Mapping cultural intermediaries -
Three Towards cultural ecologies: why urban cultural policy must embrace multiple cultural agendas -
Four State-sponsored amateurism: cultural intermediation, participation and non‑professional production -
Five ‘An area lacking cultural activity’: researching cultural lives in urban space -
Six Intervention: Some cities -
Seven Governing the creative city: the practice, value and effectiveness of cultural intermediation -
Eight Participatory budgeting for culture: handing power to communities? -
Nine Intervention: Balsall Heath legends -
Ten Screening films for social change: origins, aims and evolution of the Bristol Radical Film Festival -
Eleven Engineering cohesion: a reflection on academic practice in a community‑based setting -
Twelve Intervention: Force deep -
Thirteen Strategies for overcoming research obstacles: developing the ‘Ordsall method’ as a process for ethnographically informed impact in communities -
Fourteen Intervention: street art, faith and cultural engagement -
Fifteen From the inside: reflections on cultural intermediation - Conclusion: Where next for cultural intermediation?
- Index
Intervention: street art, faith and cultural engagement
Intervention: street art, faith and cultural engagement
- Chapter:
- (p.199) Fourteen Intervention: street art, faith and cultural engagement
- Source:
- Cultural Intermediaries Connecting Communities
- Author(s):
Mohammed Ali
- Publisher:
- Policy Press
This chapter presents the personal reflections of painter Mohammed Ali on his experience as a creative producer and in his intermediary role as the founder of Soul City Arts, a cultural organisation located in the Sparkbrook area of Birmingham that serves the locality and city while working with an international scope.
Keywords: Street Art, Soul City Arts, Creativity, Islamic Art, Sparkbrook
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- Title Pages
- List of figures, tables and boxes
- Notes on contributors
- Acknowledgements
- Series editors’ foreword
- Introduction: Bringing communities and culture together
-
One The creative economy, the creative class and cultural intermediation -
Two Mapping cultural intermediaries -
Three Towards cultural ecologies: why urban cultural policy must embrace multiple cultural agendas -
Four State-sponsored amateurism: cultural intermediation, participation and non‑professional production -
Five ‘An area lacking cultural activity’: researching cultural lives in urban space -
Six Intervention: Some cities -
Seven Governing the creative city: the practice, value and effectiveness of cultural intermediation -
Eight Participatory budgeting for culture: handing power to communities? -
Nine Intervention: Balsall Heath legends -
Ten Screening films for social change: origins, aims and evolution of the Bristol Radical Film Festival -
Eleven Engineering cohesion: a reflection on academic practice in a community‑based setting -
Twelve Intervention: Force deep -
Thirteen Strategies for overcoming research obstacles: developing the ‘Ordsall method’ as a process for ethnographically informed impact in communities -
Fourteen Intervention: street art, faith and cultural engagement -
Fifteen From the inside: reflections on cultural intermediation - Conclusion: Where next for cultural intermediation?
- Index
